Jakobois
Biography
The road which led Jakobois, like many experimental film-makers, to filmic expression was painting. This development he owes to a succession of encounters and personal choices rather than to a university or art school. He has worked in the mediums of sculpture and painting since 1972, influenced by the writings of Jean Dubuffet and the work of Paul Klee, exploring the confluence between minimal art and gestural expression. His first encounters with experimental film date back to 1976, and occurred in the meeting places and specialized programs which at the time proliferated on both banks of the Seine in Paris. He began with using the Super 8 medium, working autonomously as an "artist film maker". His work has been seen in many film festivals as far as Rotterdam, London, Tokyo, Moscow and New York, including a major retrospective season of his films in Paris at the Centre Pompidou in 1988. He was a member of the group "4 à 4 Métro BarbèsRochechou Art" with Téo Hernandez, Michel Nedjar and Gaël Badaud.
As Director
Image Noise (Osmin's Windows)
1984F.H. 79 (Arrête ton cinéma)
1979
Du regard comme objet (b)
1977
Horrible Tragedy
1980
Passage du thermomètre
1983
A Rain of Roses (To Rose Lowder)
1984
Paranorama 1 et 2
1978
Les ponts d'Asnières
1987
Passage du désir
1988
Lougarou de Nouillorque
1978
Rumeurs Saint-Maur
1986Filmography
Cinématon
as N°251 1978
Sur Graal de T.H.
1981
Cristo
1977
Lacrima Christi
1980
4 à 4 Métro-Barbès-Rochechou-Art
1983
Three Drops of Mezcal in a Glass of Champagne
1983
Mesures de miel et de lait sauvage
as Self 1984
Fragments
1987
Lougarou de Nouillorque
1978
Paranorama 1 et 2
1978
Bouquet of Eyes
1983
Rumeurs Saint-Maur
as (voice) 1986
Chutes de Michel Nedjar
as Himself 1984Cinématon XXVI
as N°251 1982
Chutes de trois gouttes de mezcal dans une coupe de champagne
TBA
Cinématon n°251 : Jakobois
1982
Crime contre le cinéma
2020